夜班俱乐部Night Shift Club
夜班俱乐部是一个只在深夜营业的世界：霓虹灯修理员、自动贩卖机精灵、泡面信使、雨伞侦探、洗衣房 DJ。五个角色里第一个落地的是霓虹灯修理员 LUMI / UNIT 01，编号是故意的，后面四个得能进同一套版式。这一版交出去的是「它在上班」这件事的规范：三视图、局部拆解、五格动作、四张叙事海报，每一张上都挂着班次状态、时间码、协议编号和三步流程。画面很满，满的每一块都在讲同一件事：这个小东西今晚在修一块招牌。Night Shift Club is a world that only opens after dark: a neon repairer, a vending machine sprite, an instant-noodle courier, an umbrella detective, a laundromat DJ. The first of the five to get built is the neon repairer, LUMI / UNIT 01. The number is deliberate; the other four have to fit the same layout. What this version delivers is the specification for being on shift: three views, exploded details, a five-frame pose set, four narrative posters, each carrying a shift status, a timecode, a protocol number and a three-step procedure. The frame is full, and every full part of it says the same thing. This small creature is fixing a sign tonight.
- 角色 / Role
- IP 形象与世界观 / Character and world
- 阵容 / Cast
- 5 个角色，已落地 1 个 / Five, one built
- 交付 / Delivered
- 三视图·动作组·4 张海报 / Views, poses, posters
- 色彩 / Palette
- 蓝黑·酸性绿·橘红·银灰
- 状态 / Status
- 视觉提案 / Visual proposal
和团团正好相反The opposite problem from Tuantuan
站上另一个 IP 是牦牛团团，它的判据是减到 15mm 还认得出，所以那个角色被压成一个近圆的剪影，深色只留三处。这一个的判据反过来：加到画面全满还不乱。四张海报每一张都塞着十几个信息模块，撑住它们的是层级。角色永远在中央、永远最亮，模块沿边框排成一圈，颜色分了工。一个要上 15mm 的吊牌，一个要撑住一张全满的海报，做法必须相反。The other character on this site is Tuantuan the yak, judged on whether it still reads at fifteen millimetres, which is why it is compressed into a near-circular silhouette with three dark areas. This one is judged the other way: whether it holds when the frame is packed. Each of the four posters carries a dozen information modules, and what holds them together is hierarchy. The character stays centred and stays the brightest thing, the modules run around the border, the colours have assignments. One has to go on a fifteen-millimetre hangtag, the other has to carry a full poster. The methods have to be opposites.
信息层就是这个角色的工作The HUD is the job
四张海报挂的是同一套东西：班次状态、时间码、协议编号、三步流程、工具带图解、无人机状态（电量 / 信号 / 温度 36.5°C / 模式）。这是在给一个虚构的职业写工单。四张对应同一个班次的四个时刻，待命、出勤、告警、收工，最后一张的落款是「READY FOR THE NEXT GLOW」。做到这一层，读者不用被告知它是干什么的，看模块就看出来了。All four posters carry the same set: shift status, timecode, protocol number, three-step procedure, a diagram of the tool belt, drone telemetry (charge, signal, 36.5°C, mode). This is a work order written for an invented profession. The four are four moments in one shift: standby, call-out, alert, clock-off. The last one signs off with READY FOR THE NEXT GLOW. Taken that far, nobody has to be told what the character does. The modules say it.
海报上的模块，抄下来是这样：
SHIFT STATUS ACTIVE / ON DUTY / SHIFT COMPLETE / EMERGENCY MODE
TIMECODE 02:18 · 03:17
PROTOCOL REPAIR PROTOCOL 03 · 04
PROCEDURE INSPECT → CONNECT → VERIFY
LOCATE FAULT → CONNECT POWER → SECURE & TEST
CHECKLIST SIGNAL FIX ✓ / NEON STABILIZED ✓ / SYSTEM CHECK ✓
DRONE BATTERY · SIGNAL · TEMP 36.5°C · MODE STANDBY
SIGN-OFF GOOD WORK, KEEP GLOWING / READY FOR THE NEXT GLOW先给颜色派活，再谈好不好看Give the colours jobs first
蓝黑是环境，酸性绿是「正常」，橘红是「异常」，银灰是金属和工具。这是四个岗位。SIGNAL RESTORED 是绿的，COMPLETED 那枚章是绿的；ALERT LEVEL 03 是红的，SIGNAL UNSTABLE 的波形是红的，EMERGENCY MODE 整块是橘红的。扫一眼颜色就知道这一班顺不顺，一个字都不用读。这和站上 BASE 24H 那条「钴蓝只出现在要你动的地方」是同一种做法。Blue-black is the environment, acid green is normal, orange-red is wrong, silver grey is metal and tools. Those are four posts on a shift. SIGNAL RESTORED is green and the COMPLETED stamp is green; ALERT LEVEL 03 is red, the SIGNAL UNSTABLE waveform is red, and EMERGENCY MODE goes orange-red across the whole block. Glance at the colour and you know how the shift is going without reading a word. It is the same move as BASE 24H's rule that cobalt only appears where something is asked of you.
编号本身是交付物The number is part of the deliverable
五个角色的世界观里只画了第一个，这是实话。但交出去的是一套能被复制的版式：三视图加三块局部（头盔天线 / 工具带 / 修理无人机）、五格动作、班次状态条、协议编号、贴纸般的信息标签。自动贩卖机精灵换掉道具和场景就能进同一套框架，编号顺到 02。五个各不相同的角色看起来更热闹，但第六个进来的时候就没有依据了。Only the first of the five is drawn, and that is the honest state of it. What was delivered is a repeatable layout: three views plus three exploded details (helmet antenna, tool belt, repair drone), a five-frame pose set, a shift status bar, a protocol number, sticker-style information labels. Swap the props and the setting and the vending machine sprite goes into the same frame as 02. Five different-looking characters would make a livelier sheet, and then the sixth one arrives with nothing to go on.
